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Tuesday, April 26, 2011

In Honor of Handmade Book Covers


Okay, they might not be completely handmade, but they all have a personalized, handmade quality to them. It might not be the most professional business decision for your ebook, but I love the idea that something so technological can still speak to us on this level. Even when the artwork is amateurish, there's still a charm to it, especially when contrasted with the template-driven book covers that seem to dominate the independent market.

So, here it is! A celebration of covers. :)










Would you ever consider drawing your own book cover? Or, having a friend draw your book cover? Do you like the way they look, or are you more drawn to photographs and graphic art? I think so much is changing so quickly, that anything human and tangible in the book world elicits an emotional response from me. That might be why I admire this kind of cover. At the same time, I don't know if it is a choice I would make for my own work. Guess I'm already too entrenched in the digital world.

Friday, April 22, 2011

Overheard

Student 1: I'm going to write a bestseller by the time I graduate.
Student 2: Me, too! I'm totally going to be a bestselling author!

Thursday, April 14, 2011

The Countdown

I don't pay attention to page numbers when I'm reading. Hubby finds this weird. He loves charting his progress, but these things tend to float by me when I'm in the middle of a good book.

But, now that I'm writing more, I kind of understand. Some days (the hard days) every word added is like a victory. I stare at the word count, urging it to rise. Every time I write a sentence, I look to see how many words I added.

Now, I know this probably isn't the best mindset. It isn't the number of words added, but the quality. Right! Right? Also, obsessing over word count isn't the most effective way to get lost in your story or make it exciting for the reader. If you're watching the clock, won't the reader do the same?

So, then I have to ask myself if it is a flaw within my story that is making it difficult to immerse myself in the process of writing it, or if I just happen to have an obsessive, frantic brain. Different days bring different answers.

What about you? Do you find your eyes slipping down to word count too often? Does it pull you out of the story? Or, can you use it as a nonemotional check in?

Thursday, April 7, 2011

Character Archetypes

This is something I've been playing with a lot in the Mysterious Other Novel that I'm working on right now. There's something really fascinating about studying, shuffling and perverting these different archetypal images.

A few:
  • The Child
  • The Hero (warrior, lover, or scapegoat)
  • The Anti-Hero
  • The Great Mother
  • The Witch
  • The Sage (or Wise Old Man)
  • The Trickster
  • The Fool
  • The Devil
  • The Scarecrow
  • The Mentor

There's no hard and fast list of character archetypes, but it is easy to recognize the way that the same characters show up over and over again.

Take The Book Thief, (since I just finished it):

Leisel is a Child/Hero. Plays a lot with the concept of innocence, longing for innocence and innocence destroyed.

Hans Huberman is the Mentor.

I'd argue that Rosa shifts over time from being the Witch into the Great Mother. (This is what primarily interests me. Archetypal shifts.)

Death is the Sage.

Hitler is the Devil (as he deserves).

What about Max? I'm not sure where to place him. Originally I thought Victim, but the book makes a big point of not relegating him to that status.

The truth is, we all have a collection of archetypes within us. It's not always as easy as pointing a finger and giving a name. Still, I like these labels as jumping off points, expectations to twist and explore.

What about you? When you're writing, do you find that you return to the same archetypes over and over again? I tend to have a Mentor in most of my work and Sages poke their dirty heads in from time to time. Moosh is a bit atypical for me, in that it embraces most of the negative archetypes and manages to turn the one potential positive into a negative. That's just my warped sense of humor, I guess.

Is this something you think about when you're writing, or merely a facet you discover after the project is done? Do you have a favorite archetype in fiction or film?

Reader's log:
32. Paper Towns - John Green

Tuesday, April 5, 2011

A Short(ish) Tale of Santiago, Chile


Hubby and I set out, tired and strong, to brave the city and crack open its covers. The sky is a blue so perfect we can barely believe in it; only a thin layer of smog makes it real. Up north we forget about cloudless days. Through the long winter we remember them only as fables.

But, we aren't up north. We're south, in a world where fans buzz through the night and windows crack open to admit the sounds and smells of the city. Our sneakers are dirty and all the clothes in our suitcases smell the same, like sunscreen, sweat, and lemons. It's morning and we're already sticky, but we don't mind.

We don't mind, because we have things to do! Places to see! A map covered in stars and a whole day to fill.

But, first, a fence. An iron slice between city and garden. Of course, we must explore. Was there ever any doubt? Three breaths and we're through the gate staring at what appears to be our own personal garden in the midst of the city. An ode to Japan where a koiless pond sits and a sign proclaims that there is no water.

A tiny man with a clipboard appears and demands that we sign his sheet. He's wearing a uniform, so we do, then watch as he wanders away. We continue.

The winding pathways are shadowed by trees, lined with stone walls, and dotted with the occasional terrace. Ivy covers everything, crawling through cracks and climbing up to meet the sun. We see no one, except for a couple vigorously making out on a stretch of lawn. We hurry on, giving them the privacy they obviously desire.

The garden is overgrown and crumbling. "This is so weird," we whisper and though neither of us verbalizes it, I know we're both half-waiting for a fawn or fairy to step out from the shadows. This can't be our world, the world of pavement, litter, and endless noise. Without even meaning to, we've entered the land we spent our whole childhoods trying to get to.




We keep circling, realizing that above us is a hill, with even more pathways. A few wrong turns and we find our way up. The path is never straight and sometimes it goes nowhere, meaing we have to turn back. A couple kisses on a bench carved out of a wall. Trees provide shade, but they also conceal what it is we're heading towards. Where are we going? We only know that we're going up. Whichever path leads upward, that's our way.

Up a row of stairs, onto a checkered landing and through a pair of stone pillars topped by lanterns and we find what we were looking for. A brick castle and a courtyard. Both are covered in ivy. Fountains spurt out water and venders sit in brightly colored booths waiting for tourists. Here are people at last, but still the world is hushed. Pairs wander, hand in hand.

We look around and see that the road hasn't ended.



The stones grow larger and odder, starting to fit together by accident instead of intention. Across a moat and we're at the final climb. But, the stairs are narrow and so deep. They wander all over the place, as though unsure of where they'd like to end. Wet spots are treacherous and I try not to think of what would happen if I, in my rubber flip flops, were to slip. Red flowers line the way. When I look up I can see archways, towers, and balustrades, all crumbling and all turning pink in the sunlight.

Then we're there, at the highest lookout. From every side the city is visible. We are in the middle of it all, staring out at a modern world from our ancient tower. We don't know what to say, because words are insufficient to describe the moment. Instead, we snap pictures, letting photographs stand in for statements, but looking through our camera viewfinders we know there is no way to capture it. Little snips, maybe, but this, the beauty, wonder and miracle of this moment, will only ever exist in our memories. I don't know what to think or feel, except joy. I hold my husband's hand and think, "This is why." Why what? Why everything.


And, that's how I spent my spring break.

Reader's log:
27. Sapphique - Catherine Fisher
28. Blue Bloods - Melissa De La Cruz
29. The Book Thief - Markus Zusak
30. Neverwhere - Neil Gaiman
31. If I Stay - Gayle Forman

Currently listening:
"Who You Are" - Jessie J